St. Peter Community Taekwon Do

Cultivating Honor and Health

The Reason for 24 Patterns

The life of a human being, perhaps 100 years, can be considered as a day when compared with eternity.Therefore, we mortals are no more than simple travelers who pass by the eternal years of an eon in a day. It is evident that no one can live more than a limited amount of time. Nevertheless, most people foolishly enslave themselves to materialism as if they could live for thousands of years. And some people strive to bequeath a good spiritual legacy for coming generations, in this way, gaining immortality. Obviously, the spirit is perpetual while material is not; therefore, what we can do to leave behind something for the welfare of mankind is, perhaps, the most important thing in our lives.

Here I leave Taekwon-Do for mankind as a trace of man of the late 20th century. The 24 patterns represent 24 hours, one day, or all my life. The name of the pattern, the number of movements, and the diagrammatic symbol of each pattern symbolizes either heroic figures in Korean history or instances relating to historical events.
General Choi, Hong Hi


Reproduced from "Taekwon-Do (The Korean Art of Self Defense)"
also known as "The Condensed Encyclopedia."
Fifth Edition 1999, All rights reserved
Copyright 1988, 1991, 1992, 1995, 1999 General Choi, Hong Hi.

Essential Information about Patterns

The following points should be considered while performing patterns:
1. Pattern should begin and end at exactly the same spot. This will indicate the performer's accuracy.
2. Correct posture and facing must be maintained at all times.
3. Muscles of the body should be either tensed or relaxed at the proper critical moments in the exercise.
4. The exercise should be performed in a rhythmic movement with an absence of stiffness.
5. Movement should be accelerated or decelerated according to the instructions in this book.
6. Each pattern should be perfected before moving to the next .
7. Students should know the purpose of each movement.
8. Students should perform each movement with realism.
9. Attack and defense techniques should be equally distributed among right and left hands and feet.

All patterns listed are performed under the assumption the student is facing "D" (see pattern diagrams). There are a total of twenty-four patterns in Taekwon-Do. The name of the pattern, the number of movements, and the diagrammatic symbol of each pattern symbolize either heroic figures in Korean history or instances relating to historical events. The interpretation of each pattern will be found on its specific page.

Mr. Simon Cox of Vision Taekwon-Do England has done excellent research on the Black belt pattern histories. Click
HERE to visit their site.

Since each Pattern has a close relationship with the fundamental exercise, students should practice the patterns according to the following graduation to attain the maximum results with the least effort.


CHON-JI   9th gup white/yellow stripe   CHOONG-JANG   2nd degree black
DAN-GUN   8th gup yellow   JUCHE   2nd degree black
DO-SAN   7th gup yellow/green stripe   SAM-IL   3rd degree black
WON-HYO   6th gup green   YOO-SIN   3rd degree black
YUL-GOK   5th gup green/blue stripe   CHOI-YONG   3rd degree black 
JOONG-GUN   4th gup blue   YONG-GAE   4th degree black 
TOI-GYE   3rd gup blue/red stripe   UL-JI   4th degree black
HWA-RANG   2nd gup red   MOON-MOO   4th degree black 
CHOONG-MOO   1st gup red/black stripe   SO-SAN   5th degree black 
KWANG-GAE   1st degree black   SE-JONG   5th degree black 
PO-EUN   1st degree black   TONG-IL   6th degree black
GE-BAEK   1st degree black   SAJU JIRUGI   four direction punch
EUI-AM   2nd degree black   SAJU MAKGI   four direction block 


Reproduced from "Taekwon-Do (The Korean Art of Self Defense)" also known as "The Condensed Encyclopedia."
Fifth Edition 1999, All rights reserved
Copyright 1988, 1991, 1992, 1995, 1999 General Choi, Hong Hi.

 

Patterns should be learned under the supervision of an official instructor. St. Peter Community Taekwon-Do shall not be held responsible for any injuries that may result in attempting or practicing patterns or exercises from this site without proper supervision.

Chon-Ji

CHON-JI means literally " the Heaven the Earth". It is, in the Orient, interpreted as the creation of the world or the beginning of human history, therefore, it is the initial pattern played by the beginner. This pattern consists of two similar parts; one to represent the Heaven and the other the Earth.

 

Movements - 19
Ready Posture - PARALLEL READY STANCE

The illustrations for this pattern assume that the student is standing on line AB and facing D.

  1. Move the left foot to B forming a left walking stance toward B while executing a low block to B with the left forearm.
  2. Move the right foot to B forming a right walking stance toward B while executing a middle punch to B with the right fist.
  3. Move the right foot to A, turning clockwise to form a right walking stance toward A while executing a low block to A with the right forearm.
  4. Move the left foot to A forming a left walking stance toward A while executing a middle punch to A with the left fist.
  5. Move the left foot to D forming a left walking stance toward D while executing a low block to D with the left forearm.
  6. Move the right foot to D forming a right walking stance toward D while executing a middle punch to D with the right fist.
  7. Move the right foot to C turning clockwise to form a right walking stance toward C while executing a low block to C with the right forearm.
  8. Move the left foot to C forming a left walking stance toward C while executing a middle punch to C with the left fist.
  9. Move the left foot to A forming a right L-stance toward A while executing a middle block to A with the left inner forearm.
  10. Move the right foot to A forming a right walking stance toward A while executing a middle punch to A with the right fist.
  11. Move the right foot to B turning clockwise to form a left L-stance toward B while executing a middle block to B with the right inner forearm.
  12. Move the left foot to B forming a left walking stance toward B while executing a middle punch to B with the left fist.
  13. Move the left foot to C forming a right L-stance toward C while executing a middle block to C with the left inner forearm.
  14. Move the right foot to C forming a right walking stance toward C while executing a middle punch to C with the right fist.
  15. Move the right foot to D turning clockwise to form a left L-stance toward D while executing a middle block to D with the right inner forearm.
  16. Move the left foot to D forming a left walking stance toward D while executing a middle punch to D with the left fist.
  17. Move the right foot to D forming a right walking stance toward D while executing a middle punch to D with the right fist.
  18. Move the right foot to C forming a left walking stance toward D while executing a middle punch to D with the left fist.
  19. Move the left foot to C forming a right walking stance toward D while executing a middle punch to D with the right fist.

  20. END: Bring the left foot back to a ready posture.

 Reproduced from "Taekwon-Do (The Korean Art of Self Defense)" also known as "The Condensed Encyclopedia." Fifth Edition 1999, All rights reserved
Copyright 1988, 1991, 1992, 1995, 1999 General Choi, Hong Hi.

Dan-Gun

DAN-GUN is named after the holy Dan-Gun, the legendary founder of Korea in the year of 2,333 B.C.

 

Movements - 21
Ready Posture - PARALLEL READY STANCE

  1. Move the left foot to B forming a right L-stance toward B, at the same time executing a middle guarding block to B with a knife-hand.
  2. Move the right foot to B forming a right walking stance toward B while executing a high punch to B with the right fist.
  3. Move the right foot to A turning clockwise to form a left L-stance toward A, at the same time executing a middle guarding block to A with a knife-hand.
  4. Move the left foot to A forming a left walking stance toward A while executing a high punch to A with the left fist.
  5. Move the left foot to D forming a left walking stance toward D while executing a low block to D with the left forearm.
  6. Move the right foot to D forming a right walking stance toward D while executing a high punch to D with the right fist.
  7. Move the left foot to D forming a left walking stance toward D while executing a high punch to D with the left fist.
  8. Move the right foot to D forming a right walking stance toward D while executing a high punch to D with the right fist.
  9. Move the left foot to E, turning counter clockwise to form a right L-stance toward E while executing a twin forearm block to E.
  10. Move the right foot to E forming a right walking stance toward E while executing a high punch to E with the right fist.
  11. Move the right foot to F turning clockwise to form a left L-stance toward F while executing a twin forearm block to F.
  12. Move the left foot to F forming a left walking stance toward F while executing a high punch to F with the left fist.
  13. Move the left foot to C forming a left walking stance toward C while executing a low block to C with the left forearm.
  14. Execute a rising block with the left forearm, maintaining the left walking stance toward C. Perform 13 and 14 in a continuous motion.
  15. Move the right foot to C forming a right walking stance toward C, at the same time executing a rising block with the right forearm.
  16. Move the left foot to C forming a left walking stance toward C, at the same time executing a rising block with the left forearm.
  17. Move the right foot to C forming a right walking stance toward C, at the same time executing a rising block with the right forearm.
  18. Move the left foot to B turning counter clockwise to form a right L-stance toward B while executing a middle outward strike to B with the left knife-hand.
  19. Move the right foot to B forming a right walking stance toward B while executing a high punch to B with the right fist.
  20. Move the right foot to A turning clockwise to form a left L-stance toward A while executing a middle outward strike to A with the right knife-hand.
  21. Move the left foot to A forming a left walking stance toward A while executing a high punch to A with the left fist.

END: Bring the left foot back to a ready posture.

Reproduced from "Taekwon-Do (The Korean Art of Self Defense)" also known as "The Condensed Encyclopedia." Fifth Edition 1999, All rights reserved

Copyright 1988, 1991, 1992, 1995, 1999 General Choi, Hong Hi.



 

Do-San

DO-SAN is the pseudonym of the patriot Ahn Chang-Ho (1876-1938) The 24 movements represent his entire life which he devoted to furthering the education of Korea and its independence movement.

 

Movements - 24
Ready Posture - PARALLEL READY STANCE

  1. Move the left foot to B, forming a left walking stance toward B while executing a high side block to B with the left outer forearm.
  2. Execute a middle punch to B with the right fist while maintaining a left walking stance toward B.
  3. Move the left foot on line AB, and then turn clockwise to form a right walking stance toward A while executing a high side block to A with the right outer forearm.
  4. Execute a middle punch to A with the left fist while maintaining a right walking stance toward A.
  5. Move the left foot to D, forming a right L-stance toward D while executing a middle guarding block to D with a knife-hand.
  6. Move the right foot to D forming a right walking stance toward D while executing a middle thrust to D with the right straight fingertip.
  7. Twist the right knife-hand together with the body counter clockwise until its palm faces downward and then move the left foot to D, turning counter clockwise to form a left walking stance toward D while executing a high side strike to D with the left back fist.
  8. Move the right foot to D forming a right walking stance toward D while executing a high side strike to D with the right back fist.
  9. Move the left foot to E, turning counter clockwise to form a left walking stance toward E while executing a high side block to E with the left outer forearm.
  10. Execute a middle punch to E with the right fist while maintaining a left walking stance toward E.
  11. Move the left foot on line EF, and then turn clockwise to form a right walking stance toward F while executing a high side block to F with the right outer forearm.
  12. Execute a middle punch to F with the left fist while maintaining a right walking stance toward F.
  13. Move the left foot to CE forming a left walking stance toward CE, at the same time executing a high wedging block to CE with the outer forearm.
  14. Execute a middle front snap kick to CE with the right foot, keeping the position of the hands as they were in 13.
  15. Lower the right foot to CE forming a right walking stance toward CE while executing a middle punch to CE with the right fist.
  16. Execute a middle punch to CE with the left fist while maintaining a right walking stance toward CE. Perform 15 and 16 in a fast motion.
  17. Move the right foot to CF forming a right walking stance toward CF while executing a high wedging block to CF with the outer forearm.
  18. Execute a middle front snap kick to CF with the left foot, keeping the position of the hands as they were in step 17.
  19. Lower the left foot to CF forming a left walking stance toward CF while executing a middle punch to CF with the left fist.
  20. Execute a middle punch to CF with the right fist while maintaining a left walking stance toward CF. Perform 19 and 20 in a fast motion.
  21. Move the left foot to C forming a left walking stance toward C, at the same time executing a rising block with the left forearm.
  22. Move the right foot to C forming a right walking stance toward C while executing a rising block with the right forearm.
  23. Move the left foot to B, turning counter clockwise to form a sitting stance toward D while executing a middle side strike to B with the left knife-hand.
  24. Bring the left foot to the right foot and then move the right foot to A forming a sitting stance toward D while executing a middle side strike to A with the right knife-hand.

      END: Bring the right foot back to a ready posture.

    Reproduced from "Taekwon-Do (The Korean Art of Self Defense)" also known as "The Condensed Encyclopedia." Fifth Edition 1999, All rights reserved
    Copyright 1988, 1991, 1992, 1995, 1999 General Choi, Hong Hi.